"... this is the finest Beethoven sonata cycle yet on CD".
Gramophone

". . .my favourite cycle of Beethoven piano sonatas yet issued on CD".
Fanfare

"This is a thoughtful and sensitive series that stands up well to the "big name" versions. Roberts' Moonlight is no flashy circus. He takes time with the 'Adagio" movement, patiently restraining the turbulence, transporting us to a sublime realm of reflection and imagination ... his execution is so flawless that we can return again and again to each sonata".
CD Review

"Bernard Roberts is one who has got what it takes . . ."
Classic CD

"Actually writing about Bernard Roberts' playing is extremely difficult; rather, one would be better advised to write about the music itself, as the music - and not the egocentric interpretative idiosyncrasy - is Roberts' overriding concern. It makes little difference which work you choose to sample - say, the Hammerklavier, Appasionata or the delightful Op.54 - one comes away with a single consistent impression: this man understands what these works are about .... this is Beethoven's Beethoven, with Roberts acting as middle-man. In a sense it is the ideal recorded cycle, in that there are few mannerisms and inadequacies to try one's patience ( Schnabel's fluffs, Kempff's prissiness, Backhaus' hamfistedness, Arrau's pedantic patches, Gulda's eccentricities etc., etc.). Roberts provides a sturdy, rugged blueprint that is profoundly Beethovenian and lays a certain claim to being the best investment of all".
Roberts Cowan in CD Review

"If there be the need by now to impart a sense of actuality to Beethoven's C minor Concerto, Bernard Roberts succeeded wonderfully well last night at the Queen Elizabeth Hall with his devoted musicality and eloquent technique".
Daily Telegraph

"The passion, drama and pathos of Mozart's D minor concerto were each brought vividly into play in the performance given by Bernard Roberts with the English Chamber Orchestra at the Queen Elizabeth Hall".
Daily Telegraph

"Bemard Roberts has a firmly established place in the top flight of present day Beethoven pianists and the Piano Concerto No.4 (Birmingham Symphony Orchestra conducted by Simon Rattle) was played with magnificently judged artistry. Pianistic bravura, polished committed orchestral response and always a tight control led to a triumphant finish and well deserved ovation".
Birmingham Post

"The concept of families playing chamber music may be idealistic these days, but not impossible as the Roberts Piano Trio proved at the Brangwyn Hall".
Western Mail

"The Trio, father and two sons, showed that unique understanding which often comes from family ensembles who love their music and enjoy performing it".
South Wales Evening Post

". . . this was a memorable performance (Brahms Piano Trio, op.8) which held the attention of the audience from beginning to end. This concert alone was worth the cost of the whole series".
Country Life

". . . the impressive Bemard Roberts Piano Trio ... whose playing was of a high standard from which everyone could learn".
Country Life