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 | Someone I Care About | Ride Down On The Highway |
| Dance With Me | Pablo Picasso |
| She Cracked | A Plea For Tenderness |
| Hospital | The Mixer |
| Womanhood | I'm Straight |
| Dignified And Old | Wake Up Sleepyheads |
| | Girlfriend | Don't Let Our Youth Go To Waste |
| | Foggy Notion | Roadrunner |
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AH! Bliss... Addicts live for releases like this, tracks from
a couple of tapes that have circulated on nth generation tapes for years, cleaned up and edited into something listenable. 'Live at the Long Branch Saloon' was released in 1992 by the French
Fan Club label, but two slightly different versions have come out since. Before your
head starts spinning, there's a cross reference chart below to make things easy for the obsessive
amongst you. The first ten tracks were recorded in April 72 or sometime in '73
(they played there in August '73) at the Long Branch Saloon, Berkeley California and includes the
bands cover of the then unreleased Velvet Underground track "Foggy Notion" that fits their
style perfectly. Next up is the astonishing
"A Plea..." from a 1973 gig in Cambridge that packs a punch missing from the studio
version. The final five tracks are from a gig at Harvard University in 1971 or 72 and
feature John Felice on second guitar and an emotional reading of "Don't Let Our Youth...".
Felice's prescence doesn't change the bands sound noticeably, but freed Jonathan from some of his
guitar duties.
I haven't seen this in the shops for ages - I think Fan Club went bust a couple of years ago.
This release includes the lyrics in the booklet, not always transcribed correctly and tending to miss out
Jonathan's wilder improvised bits.
This was an official release of material that had circulated on bootlegs for years. Ernie Brooks
sleeve note is entertaining, if a little too deprecating:
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"The Modern Lovers of the early '70s were never what one would call a smooth, well-oiled
machine, but for much of this show, we hovered truly close to the edge of disaster". |
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While it may have seemed to the band that it was about to fall apart, most of
it rocks, if in a slightly unstable way. Some final words from Ernie Brooks
sleeve note:
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Ernie: "In fact, because the original Modern Lovers dissolved without having made the definitive studio album
that we wanted to make, the issuing of this live material, so rough but close in spirit to our vision,
means a lot to me." |
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 'Precise Modern Lovers Order'
This is the American counterpart to 'Longbranch' released in 1994 on Rounder, Jonathan's label at the time, so he must
have approved. The packaging is improved, with some tasty live shots of the band playing
on Cambridge Common, and it sounds a little better too. There are track list differences:
it loses "Wake Up Sleepyheads" and adds "Walk Up The Street" and
"Fly Into The Mystery" from the Harvard gig.
The title comes from the inter-song banter in which Jonathan calls for 'precise Modern Lovers order' as
the band struggle to keep it together. The Rounder records site has tracks to download
so you can try before you buy.
 'Live at the Longbranch and more'
Released in 1998 on Last Call records (run, I think, by the people behind New Rose). The
latest issue loses "Womanhood" and "Dignified And Old" from the Longbranch
tape and the Harvard "Mixer", but adds four more Harvard tracks "Walk Up The Street",
"Modern World" "Old World" and a creditable cover of ? And The Mysterions "96
Tears". There's no lyrics on the insert this time and the packaging is a bit flimsy,
but it does feature the only color photo of the band I've seen.
This was released on double 220g vinyl in a gatefold sleeve in a limited edition of 1000 by Munster
Records in Spain (cat no MR157).
Trying to work out what's on what and where it's from is a headache, made worse by the fact that
the Harvard versions of 'I'm Straight' and 'The Mixer' from the 'Precise..' CD are different to the
ones on the 'Longbranch..' CD, as the band played two sets. Other tracks from the Harvard show
circulate on tape, including some otherwise unavailable tracks which were presumably excluded
because they couldn't be adequately cleaned up.
These tracks include: 'Cambridge Clown', 'Such Loneliness, 'Womanhood' and 'Dignified and Old'.
More info to come when I've had time to cross reference it all...
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| Longbranch Saloon, April '72 (poss '73) |
| Someone I Care About | LB | Precise | LB & more |
| Dance With Me | LB | Precise | LB & more |
| She Cracked | LB | Precise | LB & more |
| Hospital | LB | Precise | LB & more |
| Womanhood | LB | Precise | |
| Dignified and Old | LB | Precise | |
| Girlfriend | LB | Precise | LB & more |
| Foggy Notion | LB | Precise | LB & more |
| Ride Down On The Highway | LB | Precise | LB & more |
| Pablo Picasso | LB | Precise | LB & more |
Cambridge Boathouse, 1973 |
| A Plea For Tenderness | LB | Precise | LB & more |
Harvard University, Cambridge '71 or '72 |
| Walk Up The Street | | Precise | LB & more |
| Fly Into The Mystery | | Precise | |
| I'm Straight | | Precise | |
| The Mixer | | Precise | |
| Modern World | | | LB & more |
| Old World | | | LB & more |
| 96 Tears | | | LB & more |
| The Mixer#2 | LB | | |
| I'm Straight#2 | LB | | LB & more |
| Wake Up Sleepyheads | LB | | LB & more |
| Don't Let Our Youth Go To Waste | LB | Precise | LB & more |
| Roadrunner | LB | Precise | LB & more |
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(c) D Howard 2000 except Ernie Brooks quotes (c) Ernie Brooks 1992.
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