David Reekie Statement about work

DAVID REEKIE : STATEMENT

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David Reekie My work is influenced by our reaction and adaptation to the society that surrounds us. We live in a world that grows more complex and difficult to comprehend. It has tensions and temptations that pull us in different directions. This creates characters and situations that provide a constant source of material from which I take my ideas.

Something of a Relationship

This piece carries on the theme of relationships between people started with Different People and Envy of Others. With this piece the relationship is less confrontational and is more about the sympathy we can often find in a relationship no matter how tenuous!

The Envy of Others
I am always on the look out for analogies and metaphors in my work, so based on The Verriales theme 2008 'Light, a source of Life', I decided to take the relationship between the sun and the moon as a starting point and to see where this led me.
I considered their relationship, the sun as the all powerful being, bringing light and life to our planet, the source of early religions and generally considered to be a good thing and in contrast the moon, always in the shadow of the sun, having dark connotations to do with madness and nefarious activities at the dead of night is seen as not such a good thing.
In fact they both have an important role in our lives. As such this relationship brought me to think about envy and how we desire the power and wealth of others, often in an irrational way. We all have our part to play in life and we can do little about our differences, as such envy can become a futile occupation which wastes and occupies much of our time.
David Reekie May 2008

Exchange of Information
This new series of work stems from an interest in our relationship with birds. Ten years ago I made a series of pieces called Love of Animals. In these sculptures I placed a figure of a man in a close and intimate position with an animal form, in fact he was holding the animal in his hand and their noses were almost touching. These works dealt, specifically, with the connection and affection that we have for our pets and how we relate to the natural world around us and perhaps with a wider theme of innocence.
I have now taken a more cynical stance in which this innocence is questioned. The bird has now become a symbol for unreliability and mistrust in our society suggestive of how information can be used against us.
These strange little figurines have a dark innocence of their own. Although they are mass produced and quickly hand painted in a spontaneous way, they have a quality and colour tone that lends itself well to this new body of work.
David Reekie, January 2008.

Dumb as a Dodo
A play on words of the well known phrase that points towards the unthinking stupidity that leads to war and its consequences.

Inconvenience of Life
The thick necked, jar headed character with an appendage like nose is indicative of mindless stupidity. His distain for this animal like creature sat upon his head is deeply cut into his features. He is frustrated by the inconvenience of the natural world and the environment as these are a barrier to his plans for future development of his world. David Reekie December 2007

Memories of the Desert Memories are sometimes triggered by a single image; this image can then become symbolic of that time in your past. These symbols in turn can then be linked to other people's memories and can also be used to symbolise a shared point in society or in history or just a single remembered incident. In this series of work I have used simple symbolic images to suggest links that we can all share. These images are equally personal to me but also point towards recent and historical remembrances or vanishing part of life that may soon become memories. David Reekie April 2006
Talking to Strangers, In this new series of work I discuss the beginnings of conflicts between individuals and groups of people. It could be as simple as the way we look at each other, as the eyes often betray our true feelings, or it could be the exchange of secrets, which can go on to damage and affect all of our lives. As in previous series I use a sense of humour coupled with dark irony to reveal my feelings about human nature. July 2005
DRUMMERS These are part of the ongoing Robot series. Are these sentinels drumming a warning of things to come or are they drumming a tune to which we have to dance, they look to each other, unsure of what the future holds. Oct 2004
THE ROBOT SERIES When I was nine years old I remember going to the cinema to see the Forbidden Planet and one of the highlights of this film, for me, was Robby the Robot. It was 1956 and the future was a strange and sometimes frightening place. Although, Robby was a friendly Robot there were plenty of the mindlessly driven, aggressive Robots in other films. Although, this new work has elements from the fifties and a young boys fascination with films, toys and the future, it also poses questions about today and our ability to make our own decisions and not to follow mindlessly the thoughts of others.
Self Portraits / Buried in My Work We all have our faults and failings, which we may or may not be aware of. In this series I felt it was a good opportunity to bring some of mine to the surface. The very technique of casting glass involves concealing and then revealing images and objects, somewhat like our personalities. In this series of castings I have put together several images into one complete piece of glass. This process, which I have developed, involves making different parts of the sculpture out of clay and wax and combining them into one object from which a mould is made. Finally the piece is cast in one kiln firing to create a detailed colourful glass sculpture which gives the illusion of being made up of many parts but is in fact one piece of glass. David Reekie May 2003
My work continues to change and evolve and as it develops it tells its own story, a story to which I keep adding. Recently I have been working on ideas revolving around the individual and how we try to hold onto our individuality despite social and commercial trends. Working from plaster and rubber moulds I can produce several near identical wax figures, these, almost accidentally, touch on questions of genetics and cloning, which in turn adds to the themes I am dealing with. This way of working gives me the opportunity and pleasure to work on larger groups of glass images. These pieces deliver their own impact in terms of light, visual complexity and excitement which, when it comes down to it, is why I enjoy working with glass. . David Reekie 2000

48 Earlham Green Lane, Norwich, NR5 8HE England.
e mail, david.reekie@virgin.net
Tel & Fax 44.01603 501843

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