CD2000 
ABC of Laces (2)

Carrickmacross
Carrickmacross by Mary GreenwoodCarrickmacross is an appliquéd lace which started about 1820, and takes its name from the town situated in the Republic of Ireland. Muslin and machine-made net are laid over the design drawn on a backing cloth and a thread is couched around the design. The cutting away of excess muslin leaves open areas that can be filled with needlerun stitches.

The late 1840s saw a guipure style introduced where the net was cut away completely in parts. The design was couched as before but buttonhole stitch bars were used to link the motifs  together. Both types of  the lace had borders of picots.

There have been revivals and declines in Carrickmacross over the years, but it is presently a very popular form of lacemaking.  Colour and 3-dimensional designs have been recently introduced.
 
 

Charted Bobbin Lace
Beaded Charted Bobbin Lace by Deborah
RobinsonFilet laces were first fashionable in the 16th century.   Lacis  was a hand-knotted net, the solid design elements formed later by darning on to the net with a needle.  Buratto differed from lacis  in that the foundation net was a woven mesh; coloured silks were often used to embroider the designs, which were sometimes outlined by a coarse thread, on to the mesh.  Filet Guipure was popular in the late 19th and early 20th centuries, following its development in 1869 by Madame Goubard.  The main design features were worked in the lacis technique, but the net background was most often decorated with needle-made stitches, leaves and stars.

There are examples of various bobbin-made filet laces, but the great majority of bobbin laces have a diagonal, not a square-meshed net ground.  Charted Bobbin Lace is the latest stage in the development of bobbin filet lace, the design elements being formed by working woven blocks and/or by the addition of beads as the net ground progresses.
 
 

Cluny Lace

Cluny by
Deborah RobinsonCluny Lace is a continuous lace which originated in France.  Its designs were based on 16th century Genoese laces that were to be found in the Museum of Antiquities at the Hotel Cluny, Paris, hence its name.  It is a geometric plaited lace which in the past was mostly used for furnishings eg tablecloths and curtains.

It differed from the Beds-Maltese, Maltese and Genoese laces in that it had a 6-pin border instead of a 9-pin and a distinctive twisted footside. It also has several characteristic techniques that differ from English Bedfordshire,  notably in the way that the pairs enter and leave the undulated and divided trails and in the method used for crossing plaits.

The modern centre for Cluny lace is now at Le Puy where there is now a thriving lace school, museum and shop.
 

ABC(1) — Bedfordshire, Braid, Carrickmackenzie
ABC(3) — Crochet, Flanders, Honiton
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