DARK
ARARAT - THE LOST TEXT
Prologue:
Matthew
Fleury dreamed that he was witness to the death of the
Earth.
He felt that
he had been dreaming for a long time, but his dreaming
had only recently become lucid, so he could not be sure
that the vision had not been born with its own history
inbuilt.
He was
conscious of his own history too, but because he knew
that he was dreaming he was not entirely certain that it
really was his history rather than an illusory one. He
was aware - and afraid - of the possibility that when he
awoke, if he ever did awake, he might not actually be the
person that he seemed to be in his dream, but someone
else: a stranger, who would have to live in a world yet
to be destroyed and yet to be understood.
This made him
try all the harder to make sense of his dream. One day,
he knew, he would have to spin its visionary fabric into
a TV show, and he would need to construct a commentary
for that show. That was the purpose of his dream,
the work of his dream.
How could the
Earth be allowed to die without a suitable obituary? Who
but he could be trusted to intone that obituary? Who but
he could even improvise an obituary for a species and a
planet?
"The
Earth did not die," Matthew told the camera "as
a direct result of the cometary blizzard, as some of my
rival prophets threatened. The planet was struck by at
least a dozen icy fragments, but the damage was local and
the casualties light - light, that is, by comparison with
the casualties inflicted by what less scrupulous
newscasters have variously called the Second Plague War,
the Third Plague War or the Fourth Plague War, according
to their particular accounting-schemes. The Earth's
reprieve from the blizzard
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is symbolized by the lovely meteor showers that its
residual particles will produce for centuries to come,
although I fear that the Last Defenders of Christianity
ask too much of us when they demand that such showers
must be reckoned as the seal of a second Covenant.
"In the
end, the arrival and departure of the comet cluster
proved to be a blessing rather than a curse.
"The
arrival of the cluster was a blessing because it tilted a
delicate balance within what less scrupulous newscasters
call the Cosmicorp Cabal, the Dominant Shareholders or
the Nine Unknown, thus allowing the drip-feed of finance
for Space Exploitation to become a temporary flood. Had
the ill-cleared wilderness that would one day be Garden
Earth actually been threatened by a direct impact with a
massive core even the resources of the Cosmicorp Cabal
might not have been adequate to ensure a deflection, but
fuser research took off anyway. If anyone Earthbound
dared to complain too loudly about the lives that might
have been saved on the surface had the money been less
recklessly spent... well, the twenty-first century has
been the Golden Age of conspiracy theories, and it has
all been said and heard a thousand times before.
"Had there
been no blizzard there might have been no Arks, and had
there been no blizzard to lend the Arks precious
momentum, any Arks that had been launched would have had
to search much further afield for their shells of ice,
and more than one would likely have been lost before they
crossed the Halo into intersystemic space...."
He had always
been a good broadcaster, for a career scientist: always
adept at thinking on his feet....
...or in his
dreams.
In Matthew
Fleury's dream, the Earth really was Gaea: an organism, a
goddess, an entity cursed with sensitivity and the
potential for trauma.
In the dream,
Gaea died because she had lost the
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DARK
ARARAT - THE LOST TEXT
will to live. The feedback mechanisms which had
maintained the relative stability of her biospheric
corpus for millions of years were stretched to breaking
point, and when her internal food chains were shattered
Chaos came again, as he had five times before.
Such
representations were not typical of Matthew's
thought-patterns. He liked to think of himself as a
scrupulous scientist in spite of his media profile... but
even scientists dream, and all dreams delight in defying
the scruples of consciousness.
"During
the 65,000,000 years previous to the death of the Earth,
" he told the camera, earnestly, "Gaea's
feedback mechanisms absorbed the effect of at least a
dozen supervolcanic explosions, and twice as many impacts
with sizeable extraterrestrial bodies, but they could not
withstand the environmental impact of the human
population explosion. They reacted convulsively.
"Gaea the
organism had a fit. Gaea the Goddess fell, vomiting. Gaea
the sensitive became Gaea the traumatized...."
He noticed,
merely as an emotionally - inconsequential matter of
fact, that the figure carrying the TV camera on his
shoulder was Death: a smiling skeleton in a hood.
Balanced on his other shoulder - the right - Death still
carried his scythe, but it was supported by the crook of
his arm. In his skeletal hands he carried an
old-fashioned lantern, which served instead of studio
lights to light Matthew's dream.
And beneath
Death's skeletal foot, the Earth shrivelled and died, lit
by the glow of that strange mute lantern.
Matthew the
dreamer saw it all, just as Matthew the prophet had
foreseen it all in the days before he became Matthew the
coward.
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DARK ARARAT - THE LOST
TEXT He
saw it happen as he had foredrawn it, in text and in
virtual experience, again and again and again, crying in
the wilderness, as prophets had always cried since the
art of prophecy had been devised in the caves where
shaman-painters sought the womb of Creation in Gaea's
motherly depths.
He saw it all,
laid out before him as a vast panorama, unfolded by the
artifice of sensurround representation....
Or was the
unfolding panorama simply one more virtual experience
couched within the archetypal Virtual Experience of the
dream?
Perhaps it was,
given the way that his mind's eye moved and soared, and
the way the visual field chopped and changed, only
requiring some split-screen or rapid motion effect to
make its falsity clear.
How, after all,
could one man, even with the aid of TV and VE, see so
many other people dying? Surely this had to be an edited
version, an existential synopsis. Surely he could not
really be seeing all that he was seeing, even in a dream,
unless he were dreaming of a virtual experience, perhaps
one of his own scripts....
In which case,
surely he could not be dreaming of the actual
death of the Earth, but only the death as foreseen, the
death as feared.
Could any mere
man see the death of an entire world? Could any merely
human mind encompass the extinction of a race? Could any
prophet, even at the birth of the Third Millennium,
produce anything more than a quasi-Biblical cartoon, a
Deluge in a teacup, a Revelation in which the produce of
a whole world could be scythed down by four horsemen
without a pair of stirrups between them?
But Matthew had
tried. What kind of a man would he have been had he not tried?
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Matthew
Fleury saw the death of the Earth, as prophesied by many,
including himself. He had not been the last of the
prophets, but he had been one of the best, at least in
his own estimation. Thanks to TV, he had certainly been
one of the loudest.
Even so, he had
been a voice crying in the wilderness, unheeded no matter
how hard he tried to make himself heard
It seemed to
Matthew that his vision had already lasted for a very
long time, and that there was a great deal more of it yet
to come; but he dared not let his attention lapse. It was
a prophet's duty to see and understand, if he could, what
the import was of all his rhetoric and all his
statistics.
It was a
prophet's duty to reveal, to comment, to guide: a duty
not to be taken lightly.
In a world
where justice was - if any such fiction could ever be
found - the sentence passed on a prophet had to be that
he must see his prophesies unfold, sharing every single
death that he had foretold.... including the death of the
Earth itself.
It was not,
of course, the death of the Earth as Matthew had predicted
it. The work of a prophet was not to predict but to sound
the alarm, always in the hope that the catastrophe to
come might be prevented. The death of the Earth that he
had imagined and mapped in such lurid detail had been a
rhetorical artifact, forged in the hope that the event
might not come to pass at all.
Why, he
wondered, would the modern followers of the great
religions never condescend to understand that? Why did
they prefer the horrors implicit in the notion of destiny
to the far kinder and far more likely hypothesis that the
function of a Revelation was to prevent its
visions from coming true?
"Those who
cannot learn from prophecy," Matthew had been
overfond of quoting, "are doomed to fulfil it."
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TEXT Sometimes,
perhaps too often and certainly too glibly, he had stared
hard into the camera lens added "if not as tragedy,
then as farce."
Prophets, on
the other hand, were doomed to live their fears as
visions. But was this the tragedy or the farce? He knew
that he ought to be able to work that out, but he could
not.
Was he weeping
as he watched? If so, were his tears the signs of grief
or hysteria?
That
question, once brought almost to consciousness in the
increasingly lucid dream, was a real puzzle.
Matthew did not
know the answer. He did not know whether he was weeping,
or what his tears might signify. How could that be,
unless there were forces working within him to suppress
his emotional responses?
The prophets of
old had never imagined forces of that kind. Quite the
reverse, for what were Heaven and Hell but emotional
responses set free from the prison of the flesh? But the
prophets of old, unable to invent the stirrup, had been
unable to foresee the advent of Internal Technology.
They had seen
Him, but not IT.
Was this dream,
Matthew wondered, also a product of IT?
He decided,
eventually, that it probably wasn't - but either way, he
had no alternative but to wait. The transition of
awakening was beyond his control, no matter how lucid his
dreaming might become.
So Matthew
Fleury dreamed of the death of the Earth: of the wrath of
the lifeless sea, battering at the fringes of
civilization; of the choking atmospheric bubbles
overladen with carbon dioxide and depleted of oxygen; of
the riot of decay consuming forests and pasturelands
alike, staining the face of the continents in camouflage
colours, hectic smears of dark green and rust-brown; of
the last surviving people, sick
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and starving in spite of their layers of subtle
insulation, tongues bloated for lack of clean water and
lungs filling up with grey phlegm.
He saw the
animals lying dead in what had once been fields, little
more than leather-and-bone; the gaunt husks of
storm-battered buildings slowly crumbling into the
concrete deserts that had once been cities; the cracking
roads littered with the corpses of cars and trucks.
He dreamed of
emptiness, and silence, and the end of the great game,
and death and more death and yet more death....but also
of Hope and Faith and Charity, and
of Courage. He dreamed of Shen Chin Che and the
moon, of Lagrange-5 and the blizzard, and of the cold.
Earth,
Matthew had to suppose, would be consumed by the ice
again. The polar ice had melted for a while, but it would
return and it would begin to extend its empire south of
the Arctic and north of the Antarctic, as it had so many
times before.
"At the
end of every fever is a chill," he said, still
staring into the dark eye of Death's camera.
The blasted
ecosphere would cover itself in ice, and the ice would
kill the worst of the rot, and separate out the primal
metazoans: the metazoans which would start the eternal
process of progress all over again, as they had before,
probably a dozen times on Earth and perhaps a hundred
times elsewhere, if the panspermists turned out to be
right.
The Earth would
live again, perhaps long enough to produce something akin
to humankind.
And perhaps
not.
But there was
the blizzard, and the moon, and Lagrange-5, and the
fuser, and Hope and Faith and Charity,
and Courage - only one of which had been lost -
and whether the panspermists were right or not about the
past, the alarmist prophets still had their opportunity
to prevent the
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TEXT worst of what they foresaw.
Matthew saw
the Arks set forth, and knew then that he was certainly
not dreaming anything he had actually seen, because he
knew that he could never have been in any situation from
which he could see the Arks depart.
He was a
prophet, and one of the Chosen People. He had been Chosen
by Shen Chin Che, and that meant that even if he had seen
the Earth die, through whatever medium and from whatever
range, he could not have seen the Arks depart in search
of the life-bearing worlds of other stars, because he was
one of the two-by-two, as were his children: the children
already paired, he coupled in the lists with....
Who?
He could not
remember.
There were
other things, Matthew felt sure, that he could not
remember; but was that really so unusual, in a dream? Was
it not part and parcel of the dreaming process to narrow
the focus of the mind, to cancel the responses of the
limbs, to sever the ties of memory? Was it not more
surprising, all things considered, that he could remember
his own name?
It was
his own name; he was sure of that much. The death of the
Earth might conceivably be a pantomime fed to his eyes by
a deceptive VE-hood, or by some clever IT, but he was
inside himself and he was definitely Matthew Fleury. Any
doubt which attached to his own identity was not to do
with the name at all, but with something deeper.
Who, after all,
was Matthew Fleury? Was he really a prophet, a
specialist in ecological genomics turned hypothetical
terrorist and TV personality, an alarmist configuring
cries of Woe! for the illimitable host of the
vidveg? Or was he another Matthew Fleury, a man of little
power and no celebrity, whose dream of implication in the
end of the world might merely be the dream of a
starveling with choked
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lungs, wishing that there were some nobler purpose
before him than living in plague-inflicted misery till he
died in IT-blotted pain? Was he Hope, or was he merely
Charity, beginning and ending at home in his own blotched
and ragged flesh? Was he a really a coward?
No, he
decided, after a moment's more- than-perfect lucidity. I
really am THE Matthew Fleury.
He almost awoke
then, and would have done had he been capable of managing
his own awakening, but something - some tender and tiny
machinery - pulled him back into the dream.
Sometimes,
when he had dreamed before (how long ago was that, and
why did the question prick him with a brief spark of
terror?) Matthew had realised, upon his dream becoming
lucid, that it was a pleasant one: a desirable luxury. He
had made his own efforts to continue such serendipitous
finds, to string them out, to milk their euphoric quality
to the last drop. Alas, the determination to do that, the
very process of forging the will to remain asleep, had
always dispelled sleep, in a mockingly paradoxical
fashion.
This time, it
was not his will that was retaining him in sleep
in spite of his lucidity.
It had to be a
drug, or some related IT safety-mechanism.
If it were the
latter, he was presumably in peril, but might be in even
greater peril were he allowed to wake.
How tragic,
then, or how farcical, that he had only been able to
dream of the death of the Earth.
Why, if he had
to remain asleep, had his dreams not been seductive,
luxuriant, euphoric, ambrosial....
And why was he
so uncertain of exactly who he was, in spite of the fact
that he knew his name?
Was it possible
that he was in the process of becoming something else?
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DARK ARARAT - THE LOST
TEXT It
seemed unlikely. He was one of the Chosen People, after
all. The lifeless sea would not have him, and the rot
that camouflaged the continents would not hide his bones.
He was Saved, by courtesy of Narcisse the New Noah and
his favourite sons, Shen, Han and....Nadir?
Narcisse and
Nadir, Ark-builders? Surely there was something wrong
there, something out of place.
Had they really
"caught the blizzard"? Had they really
"fused the cosmic storm"? Had they really
"made the wombs and the tombs"? Had they really
brought order out of all that confusion, by "taming
the produce of Chaos"?
Matthew's
guiding myths seemed to have become tangled up, perhaps
inextricably. He had no idea what he was thinking about,
even though the words formed themselves clearly enough,
all in a hectic rush.
He had
forgotten too much. Maybe he would get it back, when he
woke up, but while he was still dreaming, however
lucidly, he could not get a grip on himself. He knew his
name, but he could not quite contrive to discover the
person behind the name.
He felt sure
that he would, in time, and he felt equally sure that he
had all the time in the world, or had had....
Which was odd,
was it not, if the Earth really had died?
Perhaps not, he
decided.
If the Earth
really had died, it was not in the least odd that he had
all the time in the world, because the resurrection of
the ecosphere would take millions of years - perhaps
billions, if the criterion by which success were to be
judged was the reappearance of a species vaguely akin to
humankind. Except, of course, that he could not afford to
wait, as a mere human being himself. No matter what the
New Adam might think, SusAn could not sustain a man
forever. She was a chrysalis, not a rent in time; her
tenancy was strictly leasehold. So it was odd that
he should be under the illusion that he had
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all the time in the world, when he clearly had not. In
fact, whatever the drug or the protective IT was doing in
keeping him asleep even though his lucidity had begun to
break through the barrier of his dream, it was wasting
time.
Valuable time.
There was work
to be done, was there not? Was he not one of the Chosen
People, appointed in the name of Hope? Was he not
bound for an Ararat, and was there not a world to be
remade, in the image of humankind's Gaea?
That was
when Matthew remembered what he was: everything
that he was, had been, and was ambitious to be.
And that was
when the IT finally released its hold, and allowed him to
wake up.
He did not need
to ask where he was, but there was another a
question on his lips.
"How
long?" Matthew asked, as soon as he had opened his
eyes and focused his gaze on the white-clad woman who was
looking down at him while he rested in his mechanical
cocoon, intricately hooked up to an absurd assortment of
drip-feeds and waste-disposal conduits.
"Seven
hundred years," she said, "give or take a
dozen, and a little relativistic shrinkage."
"But we
made it?" he said, as the rush of exultation surged
past the insulating barriers erected by his Internal
Technology and its external collaborators.
"Maybe,"
the woman replied, with a note of sour irony and
resignation in her voice, "and maybe not. Either
way, it's just the beginning."
©Brian Stableford 2002
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