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Contents

Design
Perforation
Watermark
Paper
Sheet
Sizes
Colour
Proofs
Plate
Numbers
Specimens
Control
Numbers
1d green duty which was replaced in
1940
3d value which was replaced
in 1940 by grey colour

1940 4d value showing
Plate Number 1 in colour of duty

5/- value showing
Waterlow Specimen Overprint
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The King George VI Definitive
Issue
This definitive issue was recess printed by
Waterlow and Sons Ltd, in London. As with other printings
from this company, in contrast to De La Rue and Harrison,
the quality of the engraving and subsequent printing was of
a constantly superior standard. Hence there have been very
few 'flaws', retouches or varieties discovered since. There
were ten original duties with the 4d and 8d values being
added in 1940.
Design
- Waterlow used a design consisting of the
King's Head based on Bertram Park's portrait, with the
Badge of the Colony, a three masted sailing vessel,
flying the St George's Cross off Headlands, King and
Queens Rock, to the left. The value being in the bottom
left hand corner. Compared with De La Rue's 1922 issue,
using a similar design, there were significant
improvements in the engraving, hence none of the great
number of varieties of the 1922 issue occur in the 1938
George VI printings. The Badge design reappeared in the
1953 Queen Elizabeth definitives, but on one stamp only,
the 1/2d.
Perforation
- Waterlow used a standard 121/2 line
perforation for it's issues at this period in it's
history. Many collectors have established that these
perforations varied from 12.4 to 12.7+ and attempts have
been made to identify printings from this variation in
perforation. But I would suggest that the conclusions are
very subjective, considering the movement of stamps
between the Printers, the Crown Agents and the Colony
itself (see Control Numbers, below).
Watermark
- A standard Multiple Script CA watermark was
used on paper of various thicknesses, related to when the
stock was released. The Second World War, and the
resulting shortages, would certainly affect the content
and thickness of the paper, hence the differences. Tom
Cusick in the George VI Magazine Vol2 Number 3
(publishers LMG Communications) gives an interesting
discussion on how these papers can be
differentiated.
Paper
- Frank Saunders, the founder of the King
George VI Society, recorded details of the types of paper
and gum in the publication GEOSIX. Although the dates do
not correspond at times with the actual requisition
dates, and in fact some are missing altogether, he does
give an insight into this area of the definitives which
may help in identifying printings.
- He stated that the paper was:" originally
off-white, medium thick; 1940 white medium thick, 1940
onwards white, thinner paper..... Gum: originally creamy;
1940 onwards, white."

Sheet Sizes
- There were sixty stamps in sheets of 10 x 6,
with the imprint in the bottom gutter underneath the
centre stamps. There was no plate number for the orginal
issues and the 1d and 3d colour changes of 1940. Two new
1940 values, the 4d and 8d, were printed with Plate
Number 1 under the 59th stamp. Following on from this
the1949 new colours had plate numbers 1-1 under the 59th
and 60th stamps.
Colour
Proofs
- In any design process involving printing,
proofs are required to determine suitability of design
and colour. The St Helena proofs were of the design with
the value tablet missing. Hence there was one 'Master
Die' used for all the values. The value tablet was
inserted later. There are no records of these duty proofs
in the British Library although when each value was
proofed in its colour the duty value was
present.
- Below shows the history of the colour proofs.
The rejected colours are the authors interpretation on
sight of the proofs, which were printed on Waterlow and
Sons Proofing Card. The verdict is written in pencil and
dated. Approval was given by Henry Stansfield, the Crown
Agent Examiner.

Plate Numbers
- Numbers were engraved on the printing plates
to distinguish the plates used for a specific printing.
Often, as with the St Helena Issue, when only relatively
small numbers were printed, the same plates were used
throughout the life of the issue. However with other
countries, such as Kenya, Uganda and Tanganyika the
numbers required by the colony were such that plates
often wore out and were replaced by new ones. It is this
wear and tear that resulted in the many varieties on the
Bermuda high value keyplates. Retouching was often
resorted to and this has provided a huge reservoir of
detailed study for many philatelists. Plate flaws , such
as the Ascension 'Davit Flaw' and the Northern Rhodesian
'Tick Bird flaw', can also be financially valuable. The
original Waterlow printings had no plate numbers, these
being introduced for future new values or reprintings.
Phil Collar suggests that Plate Blocks were introduced on
the request of George VI. Their purpose being to identify
the introduction of new values or major colour changes.
The 1940 St Helena new values had Plate Number 1 but the
new colours did not. These were said to have 'blank plate
numbers'.
Specimens
- Original duty values were issued to agencies
such as the GPO, Crown Agents and UPU as a record of each
stamp. To prevent postal use the stamps were overprinted
or perforated with the word 'SPECIMEN'.The St Helena
stamps were perforated with the word "SPECIMEN" from
bottom left to the top right of the stamp.
Control
Numbers
- If the stamps were to be delivered to the
Colony they had Control Numbers stamped on each sheet,
usually in the top right hand corner. Stamps which
remained in the Bureau's stocks would not have these
numbers. The Colony paid for this. On occasions the
Bureau required stocks to be replenished due to dealer
buying and therefore contacted the Colony to have a
further printing. To save money on this the Colony would
occasionally return their own surplus stocks. The Control
number would be removed by tearing away the selvedge
where it appeared. If the Colony then required more
sheets to replenish their own stocks then Control numbers
would be added again in a different place on the sheet.
Confused? So am I!
- For an example of this happening see 'Sixth
Sense Issue No 12' published by Murray Payne, which shows
a block of St Helena 8d values with the selvedge missing
and a new control number
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