Iain Irving and Judith Findlay Catterline, Aberdeenshire, Scotland, U.K. e-mail
Iain Irving curatorial practice Mini-Poster Contexts 1. The Ecstacy of Communication 2. The System of Things 3. Planting Dead Trees 4. Future's Bright 5. Obsessional 6. Intensive Care 7. Visions from the Mind 8. 0013658 9. Suburban Horror Show Oak Trees and Fountains The Blue Chamber The House in the Woods This Island Earth Seeing Hozomeen Angus Hood Dalziel + Scullion Eva Rothschild Sandy Grant Ross Sinclair A Fast Moving Car Art Stories local projects Catterline Arts Festival Artwork magazine interview teaching materials Intro to Curatorial Practice
Iain Irving
curatorial practice
Mini-Poster Contexts 1. The Ecstacy of Communication 2. The System of Things 3. Planting Dead Trees 4. Future's Bright 5. Obsessional 6. Intensive Care 7. Visions from the Mind 8. 0013658 9. Suburban Horror Show Oak Trees and Fountains The Blue Chamber The House in the Woods This Island Earth Seeing Hozomeen Angus Hood Dalziel + Scullion Eva Rothschild Sandy Grant Ross Sinclair A Fast Moving Car Art Stories
local projects Catterline Arts Festival Artwork magazine interview
teaching materials
Intro to Curatorial Practice
Judith Findlay
writing practice
In My House: a short essay about art in Scotland Grasping Shadows and Writing on Water (Art and Precision) A Less Remote Place : Art Ecology and Dalziel + Scullion Life, Love, Leisure and Living Rooms : Art in a House in Aberdeenshire (Making Art Work in a Rural Place) The Pleasure You Feel…: Contemporary Art at Drum Castle Many Rooms Not Calling The Green Leaf Grey: Notes on Seeing and Glenfiddich (Distilling an Art Ecology in 12 parts)