I made a tape recording of examples of all three types of sound, and they did indeed sound very similar. Not having frequency measuring equipment, I had to compare them by ear to notes of known frequency generated by my BBC microcomputer. The results were as follows:
| SOUND | DETAILS | FREQUENCY |
|---|---|---|
| Fire | Bonfire - local church grounds | 320 c.p.s. (E) |
| Water | Stream - same grounds | 256 c.p.s. (middle C) |
| Wind | Scots Pines, Addlestone and Chiddingstone, and bamboo, Addlestone | 320 c.p.s. (E) |
One is the fact that the sound from the "ringing pillars" of the amazing round Temple Church in the City of London is also about this frequency (This Templar foundation is now the church of the legal profession and is financially supported by them). The pillars supporting the round can be made to ring either by beating with the fists or singing a note between one of the pairs of pillars. The sound has been compared to that of a generator, and is approximately middle C.
Church music in general, but particularly plainsong, tends to average around this frequency range. Some recorded church music gave 320 c.p.s. (E), and some recorded plainsong 256 (mid C). So possibly churches are still putting power into the leys - a possible reason for their importance in the system (though not disregarding possible spiritual importance to the system too of course - positive thinking in the form of prayer. It is possible that thought and sound may complement each other in the system). Eileen Roche noted that the energy seemed to increase during an Evensong at Salisbury Cathedral some years ago; more recently (July 1996) on a field trip with the Travel and Earth Mysteries Society, she found that the energy seemed to increase in waves when the deeper notes were sounded in a service in St. Alban's Cathedral.
Three weeks prior to this she had had an amazing experience when visiting Fourknocks in Ireland with a group of friends. The dolmen there was lavishly decorated with megalithic art, some of which included an undulating line running round the site. Some there took this to indicate a musical sound and walked round this chanting, reading the decoration as if it were musical notation. A bright light emerged from the stones, moved round them and then disappeared upwards.
Finally, we come to the case of the De Land installation, an immense device used in California to keep frost off orange groves, the details of which were apparently derived from extraterrestrial sources. Tony Wedd was interested in it for the latter reason and because it used seven equally-spaced copper wires radiating from the centre to the edge of each acre plot. But it also incorporated a tall mast of galvanised iron tubing to very precise specifications. Could it be that the wind blowing across this would produce a note similar to our ubiquitous frequency (as a note is produced when blowing across the top of a milk bottle)? I wonder ....
POSTSCRIPT
Since writing the above I have had strong impressions about the danger of using earth energy ("free energy") for any widespread use without a corresponding attention to replenishing it with the use of sound. To do so would be to seriously deplete the supply quicker than it could be replaced.
The present system, based on subconsciously triggered siting and actions, will, I am told, keep things "ticking over" and support life on Earth. However, if conscious use is made of the energies then conscious repenishment must be made and scientific enquiry intoeach must go hand in hand. "Uses" include healing as well as physical uses like heat and light. 1 was reminded of a time I had made a model of a Reich accumulator (a healing device using "orgone energy" - possibly synonymous with our leypower) and my wife and I had become quite ill, presumably because the life-supporting energies in our immediate environment had been depleted faster than the environment could replace them.
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