GUIDANCE FOR SUBMITTING SCRIPTS TO A UK PUBLISHER FOR EDITING ON DISC OR BY E-MAIL
AND HOW TO DO IT IN WORDPERFECT
These days typewriters are rarely used. Authors will be expected to send digital copy once the script has been accepted. A few publishers are dealing exclusively with digital submissions from the start. The editing process varies. Sometimes the editing is done on the paper script, and changes can be incorporated on the disc before it is sent, sometimes the editing will all be done on a computer, normally with the Microsoft Word Tracker facility. As the printing will normally be done from the disc, once the formatting has been incorporated, authors need to make sure all typos have been corrected.
This editing can also be done with Tracker in WordPerfect, but almost all publishers use Microsoft Word. WordPerfect files can be converted to MS Word.
There is no automatic correction of simple errors such as would have been done in the past by the experienced typesetter – things such as extra full stops, spaces between inverted commas and the words they enclose, unequal indents. Instead the copy-editor has to make all these corrections, and can get very irritated with scripts which are full of them! It's not unusual for there to be a dozen such corrections on a page of typescript – within 250-300 words.
It's enormously helpful if authors can deal with such things before they send the final disc, and the fewer the corrections needed, the greater chance of an error-free copy going to the designer and proof reader.
There are other things the author can do to eliminate problems and make life easier for editors. And there are style considerations too.
Note: In these guidelines the following convention is used:
Click Edit > Select means click the Edit menu, then click Select in the submenu that appears.
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What To Do and Why |
How to do it in WordPerfect |
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At the opening screen: To enable you to see what's happening and be able to control it. |
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Control appearance of text easily |
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Number pages top right hand corner. This is the most convenient place when looking for a particular page. |
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Use Times New Roman 12 or 13 point, and double, not one and a half line spacing. |
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Don't change the font size or margin settings part way through. |
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Indent paragraphs by a tab or paragraph format of around half an inch or a cm, not by several taps on the space bar. Spaces for indents tend to be ragged and have to be taken out one by one. It is easy to miss them. |
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Justify to the left, not fully. There is no need to centre chapter headings. Do this at the start of the document, or by highlighting the text you want justified differently. |
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Let the text run over. |
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Don't leave extra spaces between paragraphs unless you want to indicate a new scene, a change of time, viewpoint or location. |
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Have only one space after full stops. Double spaces can sometimes increase to big gaps when the text is right-justified in the book. (If you are used to putting two, a search and replace scan will remove the extra ones.) |
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Check there are no spaces between inverted commas, punctuation marks and text, eg: 'Will you?' not: ' Will you ? ' or space between text and punctuation eg: she said, not: she said , They are difficult to spot and have to be removed one by one. |
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Don't leave spaces between the three (only!) dots of an ellipsis, or they could run over to the next line. For the same reason if your paragraph ends with a space and punctuation mark, eg: ' -' or: '- ?' insert a hard space, which will keep the marks together. A dash or question mark on its own on the next line looks very odd. |
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Use as few dashes and ellipses (...) as possible, only where absolutely no other punctuation is appropriate. A dash indicates an interruption, an ellipsis a tailing off. |
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Use italic font, not underlining, for emphasis, but restrict the use of this emphasis to really important words. Too much all together can be difficult and tiring to read. Put titles of books, plays, songs and names of ships in italics. |
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Use single or double inverted commas consistently. Check what your publisher uses. If you use curly ones, make sure they are the right way round after spaces. |
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Use ise, not ize endings, if this is the house style of your publisher (or vice versa). |
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For alternative spellings, hyphenation, single or combined words, follow a good dictionary. Use English, not American spellings. Be consistent in using them, eg tee-shirt every time, not T-shirt or t-shirt or teeshirt. |
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While spell checkers cannot differentiate between correctly spelt words used in the wrong context, have it switched on to alert you to problems, and if anything is underlined, question it! |
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Remove all headers apart from the one for page numbering, and remove all footers. The title and author name should be in the header at the beginning of the file only. Too many headers and footers, eg at each chapter beginning, get in the way and can do odd things to the layout. |
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Combine chapters into one file before sending the final disk, and take out headers etc which you may have used for each separate chapter. |
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Turn off the widows and orphans facility. If this is still operating it could upset the page lengths. |
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Turn off the automatic hyphenation, so that you can control the placing of hyphens. |
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Turn off automatic capitalization after punctuation marks. This stops a capital after a speech which ends with an exclamation or question mark, eg: 'How are you?' she asked, not 'How are you?' She asked. |
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Check everything, especially spellings of unusual names, flowers, shrubs, places, and foreign words. Add any accents on foreign words. |
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Include any Acknowledgement or Dedication pages |
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If you have quoted from poems, songs, etc, which are still in copyright, make sure you have obtained permission to use them, and include details plus a copy of the permissions letter. |
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When you do a final check on the computer, put the font to 18 point so that small errors, such as missing spaces or full stops or double ones, are more visible. You can revert to 12 or 13 point afterwards. |
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Words that should be spelt with ise (mostly derived from French):
| advertise | advise | apprise | arise |
| chastise | circumcise | comprise | compromise |
| demise | despise | devise | dis(en)franchise |
| disguise | enfranchise | enterprise | excise |
| exercise | franchise | improvise | incise |
| merchandise | prise | revise | supervise |
| surmise | surprise | televise |
also (different pronunciation):
| chemise | expertise | reprise | premise |
| promise |
