Published and performed work

Now and then I find my poems published in a few respectable literature magazines, mostly in Scotland, England and France and find opportunities to read among established and establishing poets. 

Anthologies:

Michael Bruce Memorial Trust Anthology (Scotland)
After the Watergaw (Scotland)
Mair Licht (Scotland)
Coincidence (Scotland)

Literary Magazines:

Prospice (England)
Aabye (England)
Envoi (England)
Poetry Scotland
Skinklin Star (Scotland)
Gairfish (Scotland)
Markings (Scotland)
Sapriphage (France)
La Traductière (France)
La Fabrique (France)

Interviews:

With Kenneth White in, Cirlcesmagazine 1990 and in Following World Lines,Mythic Horse Press, 1996.

performance poetry:

In addition to straightforward readings in community settings, I perform poetry in theatre-based locations.  Giving voice to my poems accompanied by improvised percussive sound creates an ambient listening space that invokes the essential spirit of the poems' origin, which is likely to have been far over west on the Scottish coastline, within its Hebridean archipelago or within the inner space of my soul.  I am generally bookable for performance, both on a private basis and also through the 'Writers in Scotland Scheme', run by Book Trust Scotland.  Details are found in the Scottish Arts Council's Writers Register.

Competitions:

Nothing here worth mentioning on the literary front.  Given that I rarely submit it's no surprise.  I have judged two competitions though, for:

North Lanarkshire Council in 1999, and

Greenock Writers' Club,  2001

West Dunbartonshire Literary Festival Poetry Competition, 2001
 

Shortlisted on Meridien video-making competition (France)

In 1990, my friend and painter Allan Black and I came among 20 finalists in a 400 entry video-making competition inspired by a poetry-painting interaction by Allan and myself, featuring dancer, Siobhan Walker and jazz musician, Steve Lacy.
 
 



 
 

Worked as creative writing tutor with:

Glasgow City Council Community Education Dept
North Ayrshire Council Community Education Dept
West Dunbartonshire Community Education Dept
West Dunbartonshire Literature Festival
East Dunbartonshire Council
Dumbarton District Writers' Forum
Ayrshire and Arran Health Board
Greater Glasgow Health Board
Artlink Central, Stirling
National Schizophrenia Fellowship, Scotland
National Trust for Scotland
Penumbra, Carluke
Stepping Stones Project, Clydebank
Lanark Association for Mental Health
Health in Mind, Ayrshire
Workers' Education Association, Glasgow
Scottish Book Trust
Borders Bookshop Glasgow
Renfrewshire Health Education Group
Moving On, Glasgow
Hills Trust Primary School, Glasgow
Alive and Kicking, Glasgow
Tullochan Trust
Healthy Minds, Greater Glasgow Health Board
Possil/Milton Fourm on Disability Creative Writing Group, Glasgow
Clydebank Writers' Group
Lanarkshire Primary Health Care NHS Trust
West Dunbartonshire Libraries/IT department
















 
 

Poems by Alistair Paterson
 

 
 

CARRADALE BAY, KINTYRE
 

Caradale rocks’ north-east leaning thrust up
of wavy laminae
form along lateral corrugations
green tones on grey
from moss and lichen fossilised

they’ve made permanent 
motion direction and shape 
of lava tide and wind
from ancient flow wash and blow

single helices stupefy the eye
on geologic formation

dimension is reduced to two 
perspective lost
like seeing Monet across Bridget Reilly

until a solitary eye focusses
in persistence onto a truncation
an edge whose spiral re-engages
extension and depth of space
a Cezanne effect
restoring keener seeing
at once giving in alternate exchange
of clarity and distortion

learning that the eye
is the resolver
 
 
 
 
 
 
 

RÙM RETURN

1.  sailing

the Rùm boat
curving ‘round Eigg
sea turning black
as have the clouds
as Rùm looms 
in his special gloom
 

2.  arrival

on Kinloch Beach
a heron and curlew 
feeding on the sand and shale
at the out-tide
 

3.  the departure within

cloud curls over the Rùm Cuillin
as if to veil something secret or forbidding
but it’s just a sacredness
that seeks to be experienced
through the cloud 
in the rain

everywhere green but the gabbro sandstone and lava
mottled white and ochre with lichen

always sound

wind that speaks through branches and leaves 
rivers rushing
never far the murmur of a waterfall 
channelling the nearly-always falling rain

west along Glen Kinloch 
and north a little from the crossroad
where westward again 
track becomes path through Glen Shellesder
blanket bog to the west coast
Sgaorishal and Minishal portals at the entrance
 
 
 
 
 

4.  west coast

everything with a surface is green
even the sea stacks are thatched in grass

hooded crows
shags
oystercatchers
and the ubiquitous gull occupy this coastline

a herd of deer 
its stags proudly declare their dominion 
as monarchs of the glen

Canna and Sanday close by across the Sound of Canna
the faint hump of Barra way out west in the Sea of the Hebrides

a deer calf carcass
hollowed out spine to ribs
picked clean by crows

after the cloud lift
Orval and Bloodstone Hill still wisped in mist
despite the brightening elsewhere

washed ashore a dayglow orange buoy reads ‘JOY’
but Rùm shows no emotion
he’s older than emotion
a strange incongruity

Guirdil to Kilmory Bay
bearing east over the Monadh Dubh
the Black Moor
a geological quadrant
that bumps up and gorges sedimentaries out
into the sound of Canna
in between the Long Loch and Main Ring faults 
to the south and east

no path but an incipient one
worked by like-farers

Skye fills out the north
Cuillin spurs filed behind one another under giant corries

stacks extend and slope cracked red Torridonian sandstone
as if slipping away from their own mass 
into the sea
 
 

a nameless stack appears to be in motion
by its worn-out geology rumbling as it crumbles away
(like a George Braque composition
and Marcel Duchamp’s ‘Nu descendant un escalier’)

everything suggests a name

down to Kilmory Bay
a raised beach
and two-tone sand 
beige and white in between break the blue and green
pungent smell of cervine urine
grid north Skye Cuillin impact the skyline
across an unnamed sound in between Rùm’s north and Minginish

I’ve come to the edge of an island wilderness
a wilderness circumscribed by itself
the Sea of the Hebrides
Sounds of Canna and Rùm

myself the only human among the gulls and guillemots
oystercatchers and deer

bathing in the warm shallows of the North Atlantic Drift
I feel the universe experience itself through me
in this interaction of space and time and body and mind
that carries a consciousness knowing that somehow
it needs me here now to Be As It Is
fulfilling the Destiny of Pure Being
within three dimensions

a sense of unto itselfness on this island
you are on its terms
having made its own unique ecology
hyper oceanic rock-topped bog
 

5.  the arrival within

to the end of the Kilmory Glen where the tracks cross again
I head east back along Kinloch Glen
curve around Loch Scresort
on the south side of Kinloch Bay
where the triple peaks of Skye’s Beinn na Caillich
past the lips of the bay at Rubha na Roinne
fill out an illusion of two beautiful breasts
spread apart by lazy cleavage

ah the feminine!
 

Rùm’s had me in the head
Gaia’s masculine
fathering thought and poetry
 

6.  departure

on the old Kinloch pier
looking over the bay
meditation on a heron fishing
slow cool elegant
and by my passive interaction
in that same instant
I become the same
and emulate this bond
as I stroll nonchalantly 
with every intention 
of catching my ferry
 

7.  sailing away  

Glancing back from the stern
distance reveals the full scale of the bulk you compact 
and height you reach from such a small body
rising straight up out of the sea
under over and to either side 
of a clear blue frame of sea and sky

arrival in grey and black 
departure in green and blue

the weather your maker 
my deceiver
 
 
 
 
 
 

THE DECLARATION OF ARISAIG
 

at Arisaig a koan comes to mind
“what was your face 
before the birth of your parents?”

Arisaig
a place where south Morar flattens down
bumps up and down around the sheltered bay of Loch nan Ceall
old oak silver birch beech and scots pine
on the verdant Strath of Arisaig
that shares the head of the loch with mudflat and rock
and the view over and out to Eigg’s ancient geology
where in north it downs sharp and curls to soft curve into the Sound of Sleat
at south Sgurr of Eigg - Sphinx-like head of pitchstone lava
risen to command a bold face to Ardnamurchan and the southern Hebrides
and plummet sheer into slow and gentle gradual descent
seaward into her own Sound

my face was a bed of running lava burning you into you
my face was a wind weathering
my face was the waves that smoothed you over
my face was the roots that buried into gripped and grew out of you

and today an old traveller in time
corporeally passing through
together with all in countenance around
telling in our own tongue
our tales of yesterday
 
 
 
 
 
 

VEHICLES
 

this night
is a portal
into oneness

the poem
a traveller
farther and wider
across the threshold
of all possibility
 
 
 
 
 

LOCH GOIL, JULY
 
 

over the mountaintops
gannets thin in the air

green undersky revolves
around grey loch

springy tussocks backshore

wet wood bog above

sinking soft
head light

no thoughts

an overtaken feeling
of I don’t know what
and let it be
 
 
 
 
 
 

HELIOL
 

it’s late January
and the feel of a spring day
warm sun permeating 
blades shoots leaves
penetrating soil