General
Article 1
Article 2
Article 3
Article 4
Article 5
Article 6
Article 7
Article 8
Article 9
Dummy
Article 1
Article 2
Article 3
Article 4
Article 5
Article 6
Article 7
Article 8
Portishead (album)
Article 1
Article 2
Article 3
Article 4
Article 5
Article 6
Article 7
Article 8
Article 9
Article 10
Article 11
Live
Article 1
Article 2
Article 3
Article 4
Article 5
Article 6
Article 7
Article 8
Article 9
Article 10
Article 11
Article 12
Article 13
Article 14
Article 15
Article 16
Article 17
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Guitar Player, May 1995
"This is not a guitar thing, really," says Adrian Utley,
producer and guitarist for Portishead, leading exponents of the"trip-hop"
wave. The Bristol, England-based group combines densely layered
acoustic and electric instrumentation, soulful crooning, and the
studio techniques of hip hop into one of the most richly inventive
sounds in modern pop. "It's about using guitar as a source
rather than guitar for guitar's sake."
The haunting musical moods that fill
Portishead's 1994 debut Dummy contain nary a routine guitar solo
or feedback-drenched rhythm fill. The group--led by keyboardist/sampler
Geoff Barrow and enchanting vocalist Beth Gibbons, with supporting
members Utley and engineer Dave McDonald--recontextualizes the
instrument in innovative, often disorienting ways.
From the tortured Hendrix-like riff
that creeps into the chorus of "Glory Box" to the Link
Wray-ish line that grinds over a sample from Lalo Schifrin's Mission:
Impossible theme in "Sour Times," Utley's guitar alternately
bubbles in the back-drop and pokes to the surface in raging torrents.
It's less a lead instrument and more a tool for dramatic punctuation.
Plugging his favorite Gibson ES-335
into a cast of old Fender amps and pawnshop fuzzboxes ("I
like the Fuzz Face and Big Muff"), many of Utley's parts
were first recorded onto vinyl, then sampled into the mix as needed.
This technique was used for the woozy riff that gives "Wandering
Star" its fractured, eerie quality. In "Strangers,"
a similar strategy resulted in the scratchy, noodling guitar part
that sounds like it was lifted off an old jazz 78. "That
was an absolute piece-of-shit acoustic we found lying around the
studio," laughs Utley. "We tuned it up, recorded it
onto a dictaphone, and put it on `Strangers.'"
For a 37-year-old jazz-trained guitarist who's led numerous British
blues bands and recorded with his longtime idol Jeff Beck on Crazy
Legs, playing in Portishead is quite a departure. "It's pretty
weird stuff guitar-wise," Utley says. "But it doesn't
bother me playing guitar not like a guitar. It's an adventure."
Jason Fine
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