General
Article 1
Article 2
Article 3
Article 4
Article 5
Article 6
Article 7
Article 8
Article 9
Dummy
Article 1
Article 2
Article 3
Article 4
Article 5
Article 6
Article 7
Article 8
Portishead (album)
Article 1
Article 2
Article 3
Article 4
Article 5
Article 6
Article 7
Article 8
Article 9
Article 10
Article 11
Live
Article 1
Article 2
Article 3
Article 4
Article 5
Article 6
Article 7
Article 8
Article 9
Article 10
Article 11
Article 12
Article 13
Article 14
Article 15
Article 16
Article 17
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At last! A replacement Dummy
Independent on Sunday, 09-28-1997, pp 10
One Of the many pleasures of the arrival of the new Portishead
album is the hope that the characters in This Life might now stop
playing the last one, Dummy, which has pretty much been done to
death in the three years since its appearance. The group'sGeoff
Barrow has even commented on the unwanted "fondue-party"
factor attendant on its amazing popularity across all known social
boundaries. Indeed, so familiar had the formula of Dummy become
that there was a real danger that any follow-up would besuperfluous.
But Portishead (Go! Beat, all formats) is both a seamless continuation
of the group's signature sound, and a deeper version of what went
before.
Barrow still makes quacking noises with his turntables, Beth
Gibbons still sings in a startlingly mannered way, though the
manners are so surprising - Shirley Bassey? Eartha Kitt? - that
they sound quite unforced. The drum sound has been beefed up intoa
more dub-happy echo-layered thump, and the brilliant guitarist
Adrian Utley is now acknowledged as a full member of the band.
Best of all, the songs more than stand up to comparison with their
predecessors, and Gibbon's lyrics are even more alluring.The closing
number, "Western Eyes", is a killer, with an eerie sample
conjuring up the ghost of Johnny Ray on Dummy with perfect symmetry.
Elsewhere, on the opening "Cowboys", for example, the
mood is more rock- friendly, in keeping with the movement of the
times, wherein "dance-music" acts like Prodigy and Massive
Attack are busily transforming themselves into potential stadium-stormersnow
that audiences are less responsive to the notion of a couple of
DJs and a boffin at a computer as live entertainment. Portishead's
great advantage here is that they really are a proper group -
as their appearance on BBC2's Later showed. Admirers ofthe dark,
gothy charms of Nick Cave or PJ Harvey will feel even more at
home with Portishead. And for the rest of us, there's still a
satisfyingly jazzy, funky and slack film-noir soundtrack to hold
our fondue-parties to.
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