|
KAISO
|
Founder. |
|
KAITENNAGE
|
Rotary
throw, or ‘Wheel Throw’ - technique where the attacker is thrown forward with
pressure applied on the head or neck while his/her arm is raised over the
head. |
|
KAMAE
|
Combative
ready position; stance. |
|
KAMI
|
Deity;
divine being. Can be translated as ''god'' but not in the Judeo-Christian
sense. |
|
KAMPAI
|
Cheers!
‘‘Bottoms up!’’ |
|
KATA
|
Form;
series of prearranged movements performed individually or in a group;
specially designed to teach basic movements. |
|
KATA
|
Shoulder |
|
KATADORI
|
Shoulder
grab; a basic attacking method in Aikido. |
|
KATANA
|
Steel
sword |
|
KATATEDORI
|
One
hand grab. |
|
KEIKO
|
Practice;
training. |
|
KEIKOGI
|
Training
uniform; usually made of cotton. |
|
KEN
|
Wooden
Sword (see BOKKEN). |
|
KENJUTSU
|
Combative
sword arts or technique. |
|
KEN
NO KAMAE |
Ready
stance for Aiki no Ken practice in Buki Waza. Ken no Kamae is a natural
position in which the back leg is allowed to relax and bend slightly while
the hips are turned 45°. |
|
KIMONO
|
Japanese
robe. |
|
KIBISHI
|
Strict.
Iwama Ryu is known for its strict approach to teaching in order to ensure
that basic technique is studied correctly with emphasis on every small aspect
of a technique. |
|
KI
|
Spirit;
mind; heart; energy. |
|
KI
NO NAGARE |
KI,
or energy flow; refers to a more advanced application of techniques while in
motion as contrasted to basic or KIHON WAZA. |
|
KI
NO MUSUBI |
Joining,
or tying together of KI; commonly used in Aikido to refer to blending one’s
energy with that of UKE. |
|
KIAI
|
Combative
shout, or yell, designed to disturb the attacker. This powerful, forceful
expulsion of air from the lungs by means of a shout helps tighten all the
muscles of the body in countering an attack. |
|
KIHON
WAZA |
Basic
technique. |
|
KOHAI
|
Younger
person / student. |
|
KOKYU
|
Breath.
Often used in Aikido with a meaning similar to that of KI. To be understood
as a deeper, more cosmological aspect of respiration. |
|
KOKYU-HO
|
Way
or method of breathing. The term refers in Aikido to a seated exercise
(SUWARI WAZA) performed at the end of class where one partner, whose wrists
are being held, attempts to unbalance the other; designed to develop KOKYU
and proper method of blending. Also developed with MOROTEDORI. |
|
KOKYUNAGE
|
Breath
throw; a cover-all term used to refer to a series of blending techniques with
no common mechanical similarities, or for unusual techniques not better
defined. |
|
KOSHI
|
Hips. |
|
KOSHINAGE
|
Hip
throw. |
|
KOTE
|
Wrist |
|
KOTEGAESHI
|
Wrist
throw or twist. In Aikido a pressure is applied outwardly against the back of
the wrist. |
|
KUBI
|
The
neck. |
|
KUBI
SHIME |
Choke
by attacking from behind. |
|
KUDEN
|
Oral
teaching. Saito Sensei uses this word to refer to particular points O-Sensei
stressed during his classes. |
|
KYU
|
Grade;
all grades below SHODAN, or first degree black belt. |
|
KUDAN
|
Ninth
degree black belt. |
|
|
|
|
MAAI
|
Sparring
distances; the proper spacing before opponents assume co-operative
engagement. |
|
MAE
|
In
front of, before. |
|
MEN
|
Head,
front. |
|
MENUCHI |
Head
strike. |
|
MENKYO
KAIDEN |
Certificate
of advanced proficiency. |
|
MIGI
|
Right
(Opposite of left). |
|
MISOGI
|
Purification,
absolution; also a meditative practice. |
|
MOKU
ROKU |
Catalogue
or list; transmission scroll in Martial Arts. |
|
MOROTEDORI
|
Two-handed
grab. |
|
MUNE
|
Chest,
breast. |
|
MUNADORI
|
Chest
hold; the attacker seizes the lapel of the defender. |
|
MUSUBI
|
Knot,
tie; concept of a link between attacker and defender in order to execute a
technique smoothly. |